BOOKS, PAMPHLETS, FILMS AND RECORDS BY ART & LANGUAGE

– Frameworks – Air Conditioning, Art & Language Press, Coventry.

– Hot-Cold, Art & Language Press, Coventry.

– 22 Sentences: The French Army, Art & Language Press, Coventry.

– Six Negatives, The Society for Theoretical Art, New York.

– Theories of Ethics, New York Cultural Centre, New York.

– Handbook to Ingot, New York Cultural Centre, New York.

– Art & Language: Texte zum Phänomen Kunst und Sprache, Selected essays by Art & Language (German-English edition), Verlag Dumont-Schauberg, Cologne.

– Blurting in A & L, Art & Language Press, New York, and The Mezzanine, Nova Scotia College of Art, Halifax, Nova Scotia.

– Art & Language: Proceedings, Kunstmuseum, Luzern.

– Art & Language 1966-1975, Selected essays, Museum of Modern Art, Oxford.

– Corrected Slogans, 21 songs written and produced by Art & Language, Music-Language, New York/Banbury.

– ‘And Now for Something Completely Different’, (film of 4 songs written and performed by Art & Language a contribution to Borba New York, a film by Zoran Popovic, Centar za Fotografija Film i TV, Zagreb).

– Art & Language 1975-1978 (selected essays), Éric Fabre, Paris (French-English edition).

– Art & Language, Selected essays 1966-80, Stedelijk Van Abbemuseum, Eindhoven.

– Kangaroo?, (LP) Art & Language with The Red Crayola, Rough Trade Records, (Rough 19)

An Old Man's Dream, (Single record) Art & Language with The Red Crayola, Rough Trade Records (RT 073).

– Portrait de V.I. Lenine, Éditions Éric Fabre, Paris.

– Rattenmensch/Gewichtwachter, (Single record) Art & Language with The Red Crayola, Rough Trade Records Production, Phonogram GmbH.

– Art & Language, (Selected essays) Introduction by Christian Schlatter (Musée d'art moderne, Toulon (French-English edition).

– Black Snakes, (LP) Art & Language with The Red Crayola, Recommended Records Switzerland, Pure Freud West Germany, distributed by Recommended Records, UK.

– Art & Language, Ikon Gallery, Birmingham.

– Art & Language, Los Angeles Institute of Contemporary Arts, Los Angeles.

– Art & Language Paints a Picture (VI), Arnolfini Gallery, Bristol.

– “La Conférence du Jeu de Paume (L'Origine du monde)”, Flammarion 4/Galerie de Paris, Paris.

PERIODICALS BY ART & LANGUAGE

– Volume 1 No. 1, May.

– Volume 1 No. 2, February.

– Volume 1 No. 3, June.

– Volume 1 No. 4, November.

– Volume 2 No. 1, February.

– Volume 2 No. 2, Summer.

– Volume 2 No. 3, September.

– Volume 2 No. 4 (‘Handbook to Going-On’), March.

– Volume 3 No. 1 (‘Draft for an Anti-Textbook’), September.

– Volume 3 No. 2, June.

– Volume 3 No. 3, June.

– Volume 3 No. 4 (‘Fox 4’), October.

– Volume 4 No. 1, May.

– Volume 4 No. 2, October.

– Volume 4 No. 3 (‘Ways of Seeing’), November.

– Volume 4 No. 4, June.

– Volume 5 No. 1, October.

– Volume 5 No. 2 (‘Victorine’) March.

– Volume 5 No. 3 (‘Blue Poles’), March.

Art-Language New Series:

– Number 3, September.

– Number 2, June (discontinued).

– Number 1, March.

– Number 2, October.

– Number 3, April (discontinued).

ARTICLES, ESSAYS AND REVIEWS BY ART AND LANGUAGE

– ‘Remarks on Air-Conditioning’, Arts Magazine, November.

– ‘Status and Priority’, Studio International, January.

– ‘Notes Towards Art Work’, Studio International, February.

– ‘Lecher System’, Studio International, July-August.

– ‘De Legibus Naturae’, Studio International, May.

– ‘A Question of Epistemic Adequacy’, Studio International, October.

– ‘Some Concerns in Fine Art Education’, Studio International, part I October, part II November.

– ‘Some Post-War American Work and Art & Language: Ideological Responsiveness’, Studio International, April.

– ‘Forget the Paintings’, Studio International, June.

– ‘Educating Artists’, Studio International, June.

– ‘Art and Terminology’, Studio International, November.

– Uber Kunst, (Selected essays) Gerd deVries, editor, Verlag Dumont-Schauberg, Cologne 1973.

– ‘Proceedings’, Audio Arts (K7 magazine), No. 1, June.

– Letter to Artforum, September.

– ‘Deurle l l/7/'73’ (Art and its Cultural Context), Catalogue and conference organised by Anny De Decker, Fernand Spillemaekers and Paul Maenz.

– ‘The Problem of Context’, Frameworks Journal, London, June.

– ‘Possible Models for Propositional Attitudes’, Studio International, October.

– ‘Introduction to a Partial Problematic’ and ‘Artworks and Explications’, in Joseph Kosuth: Investigations uber Kunst und Problemkreise (4 volumes), Kunstmuseum, Lucerne.

– ‘Dialectical Materialism’, Extra No. 2, Cologne, October.

– ‘Review 5: Contemporanea’, Studio International, January.

– ‘Introduction to Art-Language, Vol. 1, No. 1’, in Germano Celant, Precronistoria 1966-69, Florence.

– ‘Us, Us and Away’, Data, February-March.

– ‘Nous ne donnent pas notre travail’, Newcastle Writings, Robert Self Publications, London.

– ‘British Painting ’52-’77’, Art Monthly, November.

– Contribution to 'What do you Expect: A Question put to Seven Politically Orientated Artists’, Galerie Paul Maenz, Cologne.

– ‘Art for Society?’, Art Monthly, October.

– ‘Artists and Philosophers’ (reply to Willis Domingo), Art Monthly, May.

– ‘Art for Society?’, Issue,Trent Polytechnic, Nottingham).

– ‘Portrait of V. I. Lenin in the Style of Jackson Pollock’, Artforum, February.

– ‘The Ratification of Abstract Art’, in M. Compton ed., Towards a New Art: essays on the background to abstract painting 1910-20, Tate Gallery, London.

– ‘Joseph Stalin Gazing Enigmatically at the Body of V. I. Lenin as it Lies in State in Moscow in the Style of Jackson Pollock’, File, vol 4, No. 4, Toronto.

– ‘Manet’s ‘Olympia’ and Contradiction’, Block 5, September, Middlesex.

– ‘Art History, Art Criticism and Explanation’, Art History,vol 4, No. 4.

– ‘Letter to a Canadian curator’, and ‘Manet’s Olympia and Contradiction’, Style, Vancouver Art Gallery, March.

– ‘Future Pilots and Ratman the Weightwatcher’, Live to Air. Audio Arts (K7 magazine), Vol. 5, No. 3 and No. 4, August.

– ‘Kangaroo? (some songs by Art & Language and The Red Crayola)’, Art Journal (USA), Summer.

– ‘Painting by Mouth’, Artery (National Forum for College Art), December.

– ‘Art & Language Paints a Picture’, Gewad Informatief, Ghent, March.

– ‘A Cultural Drama: The Artist's Studio’ (transcript of a seminar), Ikon Gallery, Birmingham.

– ‘Portrait of V. I. Lenin’, ‘Abstract Expression’, and ‘Author and Producer Revisited’, in C. Harrison and F. Orton eds., Modernism, Criticism. Realism’, Harper & Row, London and New York.

– ‘Julian Opie’s Sculptures’, Julian Opie (exhibition catalogue) Lisson Gallery, London.

– ‘Art History, Art Criticism and Explanation’, in F. Frascina ed., Pollock and After; The Critical Debate, Harper and Row, London & New York.

– ‘Francis Bacon’, Artscribe International, July/Aug.

– ‘Art & Language Paints a Picture’, New Observations, USA, July‘Terry Setch’and ‘Keith Vaughan’ (exhibition reviews), Artscribe International, June/July.

– ‘Ronald Alley Hangs a Picture’, Artscribe International, June/July.

– ‘Andy Warhol, Anthony d'Offay Gallery’, Artscribe International, November.

– ‘Failed Town Planning’ (review of Montana and Oliveras, The Museums of the Last Generation), Artscribe International, March-April.

– ‘To Say of a Painting That It Is A Fake...’ (review of Arts Council Exhibition: ‘Don’t Trust the Label’), Artscribe International, May.

– “L’Art et l’argent”, Art Press, No. 118, October.

– ‘Ralph the Situationist’, Artscribe International, November/December.

– ‘Tales from the Pit’ (review of J. Fekete ed., Life After Postmodernism; Essavs on Value and Culture, Macmillan Education, London, 1988), Artscribe International, Nov/Dec.

– ‘Michael Baldwin and Mel Ramsden on Art & Language’, Art & Text, No. 35, Summer.
– ‘David: Unsightly Scenes’, Artscribe International, March-April.

– ‘Reply to Art in Ruins’, Frieze, No. 1, Summer.

– Excerpts from selected essays 1967-1982, in C. Harrison and P. Wood eds., Art in Theory 1900-1990; an anthology of changing ideas, Blackwell, Oxford; French edition, Art en Théorie 1900-1990, Hazan, Paris, 1997; German edition, Kunst/Theorie in 20 Jahrhundert, 2 vols., Hatje, Stuttgart, 1998.

– ‘Art & Language Paints a Picture (VI)’, Art & Language, Now They Are (exhibition catalogue), Galerie Isy Brachot and Labor, Brussels.

– Contribution to “69/96, Avant-Garde et fin de siècle” Art Press, hors série No. 17, Paris.

– “Rosalind Krauss: Un Pétard Mouillé”, Art Press, hors série No. 17.

– ‘Tied to the Mast’, Art Monthly, No. 203, February.

– ‘(False) Memory and (Self) Patronage’, Tate Magazine, No. 11, Spring.

– ‘Moti Memoria’, in J. Roberts ed., The Impossible Document: Photography and Conceptual Art in Britain 1966-1976, Camerawords, London.

– ‘Unstringing the Bow’ (review of The Artist in the Modern World by Oscar Batschman, Yale University Press) , Bookforum, Fall.

– Contributions to Conceptual Art: A critical Anthology (Alberro and Stimson eds.), MIT Press, Cambridge, Massachusetts.

– ‘Concept and Experiment in Britain?’, Modern Painters, Summer, 2000.

– ‘Blahy’, Everything Magazine, Issue 3, No. 3, September, 2000.

– ‘When Management Speaks’ and ‘A Story, a Moral and a Postscript’ in Research and The Artist, Considering the Role of the Artschool (ed. Antonia Payne), Ruskin School of Drawing and Fine Art, University of Oxford, 2000.

– ‘Art & Language: Indizes und Andere Zahlen’ and ‘Postscript: Wrongs Healed in Official Hope’ Kunstforum International 155, June-July.

– ‘Roma Reason; Luhmann’s Art as a Social System’, Radical Philosophy 109, September / October, pp. 14-21.

– Blurting in A&L Online, (English/German). http://www.zkm.de

A website (organised by Thomas Dreher) of Art & Language within the website of ZKM (Zentrum für Kunst und Medientechnologie, Karlruhe). The booklet ‘Blurning in A&L’ (1973) is presented as an online version.

BOOKS AND CATALOGUES ON ART & LANGUAGE

– Charles Harrison and Fred Orton, A Provisional History of Art & Language, Éditions Éric Fabre, Paris.

– Art & Language, Ikon Gallery, Birminingham; text by Charles Harrison, ‘The Orders of Discourse: The Artist's Studio’.

– Studies for the Studio at 3 Wesley Place, Art & Language (exhibition catalogue), Tate Gallery, London; text by Charles Harrison.

– Confessions: Incidents in a Museum (exhibition catalogue), Lisson Gallery, London; text by Charles Harrison.

– Art & Language. The Paintings (exhibition catalogue), Palais des Beaux-Arts, Brussels; texts by Charles Harrison and John Roberts.

– Hostages (exhibition catalogue), Lisson Gallery, London; text by Charles Harrison.

1991
– Charles Harrison, Essays on Art & Language, Blackwell, Oxford.

– Hostages XXV - LXXVI (exhibition catalogue), Lisson Gallery, Galerie de Paris, Marian Goodman Gallery; interview by David Batchelor, essay by Christian Schlatter.

– Art & Language, Now They Are (exhibition catalogue), Galerie Isy Brachot and Labor, Brussels; texts by Paul Wood and Art & Language.

– Art & Language, Now They Are (exhibition catalogue), Galerie Grita Insam, Vienna; texts by Charles Harrison and Art & Language.

– Art & Language (exhibition catalogue), Galerie Nationale du Jeu de Paume, Paris; texts by Charles Harrison, Paul Wood and Art & Language; Libretto for Victorine (French and English versions).

– Art & Language: Conceptual Art from 1965 to 1974 (exhibition catalogue), Mulier Mulier Gallery, Knokke; text by Art & Language .

– Art & Language and Luhmann, Institut für soziale Gegenwartsfragen, Freiburg, and Kunstraum Vienna, eds., Passagen Verlag, Vienna; texts by Art & Language, Paul Wood, Charles Harrison, Thomas Dreher, Niklaus Luhmann, Catherine David, Peter Weibel.

– Sighs Trapped by Liars (exhibition catalogue) Mulier-Mulier Gallery, Knokke; text by Art & Language.

– ‘Art & Language in Practice’, Volume 1, Illustrated Handbook, Volume 2, Critical Symposium, Fundació Antoní Tàpies, Barcelona.

– Thomas Dreher:Intermedia Art. http://members.tripod.de/ThomasDreher/

Website (in German) includes pictures and texts on Art & Language and Conceptual Art.

BOOKS AND CATALOGUES REFERRING TO ART & LANGUAGE

– James Collins, Revision and Prescription (distributed by mail), New York, June.

– Jack Burnham, The Structure of Art, Braziller, New York.

– Lucy Lippard, Changing: essays in art criticism, Dutton, New York.

– Catherine Millet, Textes sur l’art conceptuel, Éditions Daniel Templon, Paris.

– E. Migliorini, Conceptual Art, Edizione D'Arte Fiorino, Florence.

– Ursula Meyer, Conceptual Art, Dutton, New York.

– Lucy Lippard, Six Years: the dematerialization of the art object, Praeger, New York.

– John Walker, Art Since Pop, Thames and Hudson, London and New York.

– Lea Vergine, Dall Informale alla Body Art: Dieci dell'arte Contemporanea 1960/70, Cooperativa Editoriale Studio Forma, Turin.

– Filberto Menna, L'Arte Moderna 109: L’Arte Concettuale, Fabbri Editions, Milan.

– John A Walker, Cross-overs: Art into Pop, Pop into Art, Methuen, London and New York.

– S. Compton ed., British Art of the Twentieth Century: The Modern Movement, Royal Academy, London and Prestel Verlag, Munich.

– Starlit Waters (exhibition catalogue), Tate Gallery, Liverpool; texts by Lewis Biggs, Richard Francis, Charles Harrison, Martin Kunz, Lynne Cooke and Iain Chambers.

– Synnyt. Sources of Contemporary Art, Museum of Contemporary Art, Helsinki.

– L’Art conceptuel, une perspective (exhibition catalogue), Musée d'Art Moderne de la Ville de Paris, Paris; texts by Benjamin Buchloh, Charles Harrison, Gabriele Guercio and Seth Siegelaub

Giancarlo Politi ed., Flash Art. Two Decades of History, XXI Years; text by Charles Harrison, ‘Art & Language’, from Flash Art, No. 35-6, Sept-Oct 1972.

– I. Lavin ed., World Art; Themes of Unity in Diversity (Acts of XXVIth International.

– Congress of the History of Art) Vol II., Pennsylvania State University Press, University Park and London; text by Charles Harrison, ‘Art and Language: The Contest for the Modern’.

– L’Exposition imaginaire, The Art of Exhibiting in the Eighties, SDU Uitgeverig Rijksdienst Beeldende Kunst, The Hague; text by Charles Harrison,‘Thoughts in the Black Museum’.

– Glasgow’s Great British Art Exhibition (exhibition catalogue), Glasgow Museums and Art Galleries, Glasgow.

– Ian Burn, Dialogue, Writings in Art History, Allen and Unwin, Sydney.

– Postmodernism, Politics and Art, Manchester University Press; text by John Roberts, ‘Realism, painting, dialectics: Art & Language's Museum Series’.

– Approaches to Realism (exhibition catalogue), Bluecoat Gallery, Liverpool; text by John Roberts.

– Team Spirit (exhibition catalogue), Independent Curators Incorporated, New York; texts by James Hillman, Irit Rogoff, Susan Sollins and Nina Castelli Sundell.

– Rhetorical Image (exhibition catalogue), The New Museum of Contemporary Art, New York.

– Juan Vte. Aliaga and Jose Miguel G. Cortes eds., Arte Conceptual Revisado, Universidad Polytecnica de Valencia; ‘Interview with Art & Language’.

– Art conceptuel, formes conceptuelles (exhibition catalogue), Marcel Fleiss and Galerie 1900-2000, Paris; texts by Christian Schlatter and Charles Harrison.

– Thomas Dreher, Konzeptuelle Kunst in Amerika und England Zwischen 1963 und 1976, Peter Lang, Frankfurt am Main, Bern, New York, Paris.

– The Cutting Edge (exhibition catalogue), Barbican Art Gallery, London.

– Le Sens figuré (exhibition catalogue), Fonds régional d’art contemporain d'Ile-de-France, Conseil des Arts Communauté Urbaine de Montreal; texts by Bernard Goy and Fabrice Hergott.

– Thorsten Scheer, Postmoderne als kritisches Konzept,Wilhelm Fink Verlag, Munich[?].

– Repetición/Transformación (exhibition catalogue), Museo Natioal Centro de Arte Reina Sofia, Madrid; texts by Franciso Calvo Serraller, Aurora Garcia, and Michael Tarrantino.

– Ine Gevers ed., Place, Position, Presentation, Public, Jan Van Eyck Akademie, Maastricht; text by Charles Harrison, ‘The Legacy of Conceptual Art’.

– W. J. T. Mitchell ed., Landscape and Power, University of Chicago Press; text by Charles Harrison, ‘The Effects of Landscape’ .

– P. Wood, C. Harrison, F. Frascina and J. Harris, Modernism in Dispute: Art Since the 40s, Yale University Press, New Haven & London; text by Paul Wood and Charles Harrison, ‘Modernism and Modernity Revisited’.

– From Here (exhibition catalogue), Waddington Galleries and Karsten Schubert Gallery, London; text by Andrew Wilson.

– Brandon Taylor, The Art of Today, Everyman Library.

– Herausgeber 1994 bis 1996, Kunstraum Wien Projekt; Kunstraum, Vienna.

– Artists Think: The Late Works of Ian Burn (exhibition catalogue), Power Publications, Sydney, Monash University Gallery, Melbourne; Ann Stephen, ed.

– Anne Moeglin-Delcroix, Esthétique du livre d’artiste 1960/1980, Jean Michel Place, Bibliothèque Nationale de France.

ESSAYS, ARTICLES AND REVIEWS ON ART & LANGUAGE

– ‘Myfanwy Kitchen’ (review of ‘Dematerialisation Show’), The Guardian, October 4.

– G.R. Lansell.’Pseudo-Science’, Nation Australia, August 11.

Joseph Kosuth, ‘Art after Philosophy’, Studio International, October/November/December.

– Catherine Millet,“L’Art conceptuel”, L'Art Vivant, Paris, January.

– Willis Domingo, ‘In the Museums’, Arts Magazine, May.

– Carter Ratcliffe, ‘Conceptual Art and Conceptual Aspects’, Art International, Summer.

– Catherine Millet, “L’Art conceptuel comme sémiotique de l’art”, VH101, Paris, January.

– Donald Karshan, ‘The Seventies: Post-Object Art’, Studio International, September.

– Ian Burn, ‘Conceptual Art as Art’, Art and Australia, September.

– Charles Harrison, ‘A Very Abstract Context’, Studio International, May.

– Charles Harrison, ‘Virgin Soils and Old Land’ (Introduction to ‘The British Avant-Garde’), Studio International, May.

– D. Shirey, ‘British Avant-Garde in 100 Work Show’, The New York Times, May 21.

– Germano Celant; ‘The Book as Art Work’, Data, No. 1, September.

– E. Migliorini; ‘Art-Language’, L’Art Vivant, October/November.

– René Huyghe, “Fin de l'art ou Art nouveau”, La Galerie, October.

– Catherine Millet, ‘Appunti Su Art-Language’, Flash Art, October/November.

– I. Tomassioni, ‘Dall Oggetto Al Concetto Elogio Della Tautologia’, Flash Art, December.

– Thomaso Trini, ‘Art & Language: Galleria Daniel Templon’, Domus, February.

– Linda Morris; ‘Art & Language’, Art Press, March.

– Charles Harrison, ‘Art & Language Press’, Chroniques de l'art vivant (Special/Grande Bretagne), April.

– John Stezaker, ‘Priorities’, Frameworks, No. 1, London.

– Lizzie Borden, ‘3 Modes of Conceptual Art’, Artforum, June.

– Max Kozloff, ‘The Trouble with Art as Idea’, Artforum, October.

– Peter Berry, Paul Wood, Kevin Wright, ‘Remarks on Art Education’, Studio International, November.

– Anthony Everitt; ‘Four Midland Polytechnic Fine Art Departments’, Studio International.

– Rudi H. Fuchs, ‘More on the New Art’, Studio International, November.

– Lucy Lippard, ‘Some of 1968’, Arts Magazine, January.

– Andrew Menard, Preston Heller, ‘Kozloff: Criticism in Absentia’, Artforum, February.

– Bruce Boice, ‘Books: Art & Language’, Artforum, March.

– James Collins, ‘Things and Theories’, Artforum, May.

– Ian Jeffrey, ‘Art Theory and the Decline of the Art Object’, Studio International, October.

– Susan Steadman-Jones, ‘De Legibus Philosophicus’, Studio International, October.

– John Stezaker and Rosetta Brooks, ‘The British Avant-Garde’, Studio International, October.

– Caroline Tisdall, ‘Word Play’, The Guardian, November.

– Terry Smith, ‘Art and Art & Language’, Artforum, February.

– Paul Wood, ‘Art & Language at the Lisson Gallery’, Studio International, February.

– Alan Kaprow, ‘The Education of the Un-Artist III’, Art in America, February.

– G. Contessi, ‘Nuova Pittura Arte Conceptuale’, Flash Art, April.

– Joseph Kosuth, ‘Uber Eine Anthropologisierte Kunst’, Extra, No. 1, Cologne.

– Ian Burn, ‘The Art Market: Affluence and Degradation’, Artforum, April.

– Terry Atkinson, ‘Reply to Joseph Kosuth’s ‘Uber Eine Anthropologisierte Kunst’, Extra, No. 3.

– Annette Kuhn, ‘Culture Shock’, Village Voice, August 18.

– Mona da Vinci, ‘The Fox and Other Fairy Tales’, SoHo Weekly News, December 25.

– Brandon Taylor; ‘Textual Art’, Artscribe, January.

– Kay Larson, ‘Art Critics of the World Unite, You have nothing to lose but your Formalism’, The Boston Phoenix, October 5.

– Werner Lippert, ‘Is There an Art Scene in New York?’, Heute-Kunst, October/December.

– D. Davis, ‘The Size of Non-Size’, Artforum, December.

– Peter Smith, Review of Art & Language at the Robert Self Gallery, Art Monthly December/January.

– Nancy Marmer, ‘Artpolitics 77’, Art in America, September/October.

– John McEwan, ‘Ingrowing’ (review of Art & Language at the Robert Self Gallery), The Spectator, London, July 16.

– Ralph Rumney, ‘Un Certain Art Anglais; Showing the Flag in France’, Art Monthly, March.

– Clive Philpot, ‘Art Magazines and Magazine Art’, Artforum, February.

– Paul Groot, ‘Guerrilleros van de Kunstwereld’, Museum Journaal, August.

– Lynn Hanna, Review of ‘Kangaroo?’, New Musical Express, May 30.

– ‘Aux Arts, Citoyens’, Actuel, Paris, June.

– Jim Pallette, “Le Monde merveilleux d'Art & Language”, Libération, July 20, Paris.

– Jacob Berger, “L’Ironie comme produit culturel”, TUB-Hebdo, No. 23, Geneva.

– Stuart Morgan, ‘Art & Language at Dokumenta 7’, Artforum, September.

– Heidi Grundmann ‘Ein Interview mit Art & Language’, Artig, No. 1, Vienna.

– Jean-Christophe Ammann, ‘Dokumenta: Reality and Desire’, Flash Art, November.

– John Roberts, ‘Three Men in a Studio’, Art Monthly, July/August.

– Colin Gardner, ‘Levels of Discourse’, Art Week, October 8, Los Angeles.

– Sanda Miller, ‘Art & Language, Michael Baldwin and Mel Ramsden: Extracts from a conversation with Sanda Miller’, Artscribe International, July/August.

– E. H. Gombrich, ‘Image and Word in the 20th Century Art’, Word and Image, Vol 1, No. 3, July.

– Donald Kuspit, ‘Of Art & Language’, Artforum, May.

– Richard Francis, ‘Your 'if' is the only Peacemaker ... Art & Language's Museum Paintings,’ Artscribe International, June/July.

– Matthew Collings and Stuart Morgan, ‘True Brit: An Enquiry into National Character’, Artscribe International, No. 61, January/February.

– Michel Baudson, “Incidents au musée”, Art Press, No. 114, May.

– Richard Dorment, ‘The Painting of Theories’, The Daily Telegraph, May 8, London.

– David Batchelor and Paul Wood, ‘Realism’ (review of Art & Language exhibition at the Palais des Beaux-Arts, Brussels), Artscribe International, September/October.

– Charles Harrison, “L'Atelier des artistes: transformation du repertoire”, Les Cahiers du musée national d'art moderne, No. 21, September, Paris.

– Charles Harrison, “Le Modernisme: aux limites”, Les Cahiers du musée national d'art moderne, No. 22, December, Paris.

– Holland Cotter, ‘Museum Talk: Art & Language’, Art in America, June.

– Allan Shields, ‘Art-Language’, Art Press, No. 129, October.

– Brian Hatton, ‘Art & Language; a Critical Allegory of ‘Self Criticism’ Itself’, FlashArt, October.

– Michael Archer, ‘Art & Language, Lisson Gallery’, Artscribe, November/December.

– Mary Anne Staniszewski. ‘Conceptual Art’; ‘Conceptual Questionnaire’ (response by Michael Baldwin); ‘Mel Ramsden Interview’, Flash Art (Conceptual Supplement), November/December.

– J. R. R. Christie and Fred Orton, ‘Writing on a Text of the Life’, Art History, Vol 2, No. 4, December.

– John Miller, ‘Art & Language, Marian Goodman’, Artscribe International, March/April .

– Miško Šuvakovic, ‘Lawrence Weiner and Art & Language’, Moment, No. 10, Beograd, April.

– Didier Arnaudet, ‘Art conceptuel I, CAPC Bordeaux’, New Art International, January.

– Charles Harrison, ‘On the Surface of Painting’, Critical Inquiry, Vol 15, No. 2, Winter, Chicago.

– Thomas Dreher, ‘Art & Language, Art as a Series of Festivals or Art as a Project of Work’, Art Factum, April/May.

– David Batchelor, ‘Art & Language’ (interview with Michael Baldwin and Mel Ramsden), Journal of Contemporary Art, Vol.. 2, No. 1, Spring/Summer.

– Charles Harrison, ‘Some other sense: on Hostage: Incident and a People’s Flag’, Artscribe International, Summer.

– Catherine Millet, “Le Montant de la rançon”, Art Press, No. 139, September.

– Thomas Dreher, ‘Art & Language’, Noema, No. 5, Sept/Oct.

– Luc Lang, “L'Art et les mots: notes de réserve sur l'histoire”, Artstudio, No. 15, Winter.

– Jean-Michel Foray, “Art conceptuel: une possibilité de rien”, Artstudio, No. 15, Winter.

– Mark Francis, “La Pauvreté de l’atelier et la richesse du musée”, Les Cahiers du musée national d'art moderne, Centre Georges Pompidou, Paris.

– Thomas Dreher, ‘Art & Language; Index: Incident in a Museum 1985-87’, Kunst & Unterricht, No. 138, December.

– Christophe Domino, “Objet du discours et discours de l'objet”, Artstudio, No. 19, Winter.

– ‘New York in Review’, Arts Magazine, May 1990.

– Charles Harrison, ‘Art Conceptuel et Jugement Critique’, Lund Art Press, Vol. 2 No. l, Autumn/Winter, Department of Theoretical and Applied Aesthetics, Lund University, Sweden.

– Charles Harrison, ‘Art & Language: Neki uslovi i preokupacije u prvoj deceniji’, Moment, 20, Belgrade.

– Miško Šuvakovic, ‘Diskurzivni Incidenti: rasprava diskurzivnij poredaka Charlesa Harrisona’, Dometi, 11, Rijeka.

– Miško Šuvakovic, ‘Charles Harrison: Diskurzivni rezovi’, Moment, 20, Belgrade.

– David Batchelor, ‘The Archaeology of Surf: Notes on Recent Paintings by Art & Language’, Artscribe International, Jan-Feb.

– Ian Brunskill, ‘Essays on Art & Language’, Artscribe International, December.

– David Cohen, ‘Art & Language’, Galleries, March.

– ‘Political Pick’n’ Mix’, The Independent on Sunday, 17 March.

– Andrew Graham-Dixon, ‘The writing is on the wall’, The Independent, 26 March.

– Richard Dorment, ‘Paintings packaged as a cultural sandwich’, The Daily Telegraph, 26 March.

– Adrian Searle, ‘Art & Language’, Time Out, 27 March.

– Matthew Collings, ‘Art & Language’, City Limits, 28 March.

– William Feaver, ‘It’s such fun to huff and bluff’, The Observer, 31 March.

– Charles Harrison, ‘Form and Finish in Modern Painting’, Filozofski Vestnik, No. 1, Slovene Academy of Arts and Sciences, Ljubljana.

– Linda Talbot, ‘Doing their level best to unsettle’, Hampstead & Highgate Express, 5 April.

– Michael Archer, ‘Hello, Terry Speaking’, Art Monthy, May.

– Michael Corris, ‘Art & Language, Lisson Gallery and ICA’, Artforum, May.

– Andrew Renton, ‘Art & Language, Lisson, ICA’, Flash Art, May/June.

– Andrew Wilson, ‘Art & Language, Lisson Gallery, London and ICA, London’, Forum International, May/August.

– Enrique Juncosa, ‘Exposiciones. Art & Language’, Lapiz, No. 78, June.

– Ruiko Harada, ‘From London’, Bijutsu Techno Magazine, June.

– Frank Popper; ‘Kollektive Absichten und Ausführungen in den Bildenden Kunsten der Gegenwart’, Kunstforum InternationaL, November/December.

– Carolyn Christov-Bakargiev, ‘Britannici tra i sette colli’, Domenica, 17 November.

– Francesca Romana Morelli, Il Giornale dell'Arte, December.

– ‘Operatori delle visioni’, Trovaroma, December.

– ‘The Hostage Series’, II Piacere dell'Occhio, December.

– Brian Hatton, ‘Approaches to Realism’, Artforum, March.

– Jorg Heiser, ‘Geiseln der Zukunft’, Heaven Sent, I, June.

– Art in Ruins,'The Seduction of Resistant Virgins’, Frieze, No. 1, Summer.

– Paul Wood, ‘Internal Exile, Art & Language’s Hostage Paintings’, Arts Magazine, January.

– Carolyn Christov-Bakargiev, ‘Art & Language, the British School’, Flash Art, February-March.

– Thorsten Scheer, ‘Gerhard Richter and Art & Language, Conceptual Aspects of Postmodernism’, Artefactum, February-March.

– Jacques Meuris, ‘Art & Language: Du Concept au constat’, Art et Culture, Belgium, June

– ‘Art & Language’, Sans Titre, France, No. 18, July/August/September.

– Danielle Gillemon; “Art & Language: les atermoiements du concept”, Le Soir, Brussels, August.

– Charles Harrison, ‘The Critic’s Part’, Kunst and Museumjournaal, Vol. l, No. 4, February.

– Charles Harrison, ‘On Painting a Landscape’, Kunst and Museumjournaal, November.

– David Batchelor, ‘Art & Language: What Painting Means’, Art Press, No. 185, November.

– Tom Holert, ‘Ausgangspunkte (Art & Language antworfen auf Fragen von Tom Holert)’, Texte zur Kunst, November, 3 Jahrgang No. 12.

– Yves Abrioux, ‘Art & Language’, Untitled, Winter, No. 3.

– Muriel Caron, ‘Art & Language’, Artefactum, 1 March, XI/51.

– Michael Finch, ‘Art & Language, Pulling Faces’, Contemporary Art, Spring.

– Tom Holert, ‘Art & Language, Painting by Mouth’, Flash Art, March/April.

– Adrian Searle, ‘Art & Language, Lisson Gallery’, Time Out, London, 22-29 June.

– Francoise Vallet, ‘Art & Language’, Fiche Artiste, No. 9, 22 Sept 1994, Geneva Geraldine Norman, ‘The British Set Trend With Pickled Bulls and Subversive Vases’, The Independent, 21 Nov 1994.

– Michael Archer, ‘The Cologne Art Fair: Two Views’, Art Monthly, Dec 1994/Jan 1995.

– Nonie Niesewand, ‘Back To The Easel’, Vogue, February, London.

– Michael Archer, ‘Licensed to Paint’, Art Monthly, May.

– Charles Harrison, ‘Art & Language Paints a Landscape’, Critical Inquiry, Vol. 21, No. 3, Spring, Chicago.

– David Barrett, ‘From Here’, Everything, No. 16, London.

– Martin Maloney, ‘London – Current British Art’, Burlington Magazine, London, June.

– Rainer Metzger, ‘Art & Language and Luhmann’; Kunstforum, May-July.

– Rosalind Krauss, “Art & Language se met à la peinture: aléa de l'art conceptuel”, Art Press, hors série No. 16.

– Carles Guerra, ‘Pseudo-Pinturas Para Conversar’, Lapiz, February.

– Michael Newman, ‘Conceptual Art from the 1960s to the 1990s: An Unfinished Project’.

– Kunst & Museum Journal, Volume 7, Numbers 1/2/3.

– Matthew Collings, ‘It May be Anti-art but they’re all Mad for it’, Independent, Tuesday 19th August.

– Drew Milne, ‘The Performance of Scepticism’ Act (Art, Criticism and Theory), No. 3

‘Endgames’ ed. Juliet Steyn, London, Pluto Press.

– ‘Pervy Pics are Art not Porn’ Milton keynes on Sunday, p. 9, January 25th.

– Matthew Collings, ‘Dropping Acid’, Observer Review, 8th November David Burrows ‘Art & Language/BANK’, Art Monthly, November-December, 1999.

– John Slyce, ‘Art & Language’, review of the Art & Language exhibitions at Fundacio Antoní Tàpies, Barcelona and PS 1, New York, Art Monthly, November.

– Peter Osborne, ‘Conceptual Art and/as Philosophy’, Rewriting Conceptual Art (Bird and Newman, eds.) Reaktion Books, London.

– William Wood, ‘Still you ask for More: Demand, Display and The New Art’, Rewriting Conceptual Art (Bird and Newman eds.) Reaktion Books, London.

– Jean-Christophe Royoux, “Aux Frontieres de l’exposition: le Modèle conversationnel entre construction du moi et espace public de communication”, Art press, hors série No. 21.

– Charles Harrison, ‘The Condition of Finish in Modern Painting’ Twoninetwo, Number 2, Edinburgh College of Art.

– Charles Green, The Third Hand, Collaboration in Art from Conceptualism to Postmodernism, University of Minnesota Press, 2001.

– Anne Rorimer, New Art in the 60s and 70s: redefining Reality, Thames and Hudson.

2002
– Charles Harrison, On Conceptual Art and Painting: Further Essays on Art & Language, MIT Press, Cambridge Massachusetts, 2002