ART & LANGUAGE LIST OF EXHIBITIONS

‘The Air-Conditioning Show (reconstituted 1966 work)’, Visual Arts Gallery, NewYork.

‘The Art & Language Institute’, Galerie Daniel Templon, Paris.

‘Documenta Memorandum (Indexing)’, Galerie Paul Maenz, Cologne.

‘Analytical Art’, Galerie Daniel Templon, Paris.

Galerie Paul Maenz, Cologne.

Lisson Gallery, London.

‘Annotations’, Galerie Daniel Templon, Paris.

‘Index 002 Bxal’, John Weber Gallery, New York.

Galleria Sperone, Turin.

Galerie Paul Maenz, Cologne.

Galerie Bischofberger, Zürich.

Galleria Schema, Florence.

Lisson Gallery, London.

Galerie MTL, Brussels.

‘Art & Language 1966-1975’, Museum of Modern Art, Oxford.

Studentski Kulturni Centar, Belgrade.

‘New York « Australia’, Art Gallery of New South Wales, Sydney, and the National Gallery of Victoria, Melbourne.

Foksal Gallery, Warsaw.

‘Dialectical Materialism’, Galleria Schema, Florence.

Galerie Ghislain Mollet-Viéville, Paris.

Galerie MTL, Brussels.

‘Music-Language’, Galerie Éric Fabre, Paris.

‘Piggy-Cur-Perfect’, Auckland City Art Gallery, Auckland.

‘Music-Language’, John Weber Gallery, New York.

‘Illustrations for Art-Language’, Robert Self Gallery, London.

‘Music-Language’, Galleria Lia Rumma, Rome and Naples.

Robert Self Gallery, London.

‘Art-Language’, Galerie Association, Nice.

‘Flags for Organisations’, Cultureel Informatief Centrum, Ghent.

‘Flags for Organisations’, Lisson Gallery, London.

‘Ils donnent leur sang; donnez votre travail’, Galerie Éric Fabre, Paris.

‘Portraits of V. I. Lenin in the Style of Jackson Pollock’, Jan Sack, Antwerp.

‘Portraits of V. I. Lenin in the Style of Jackson Pollock’, University Gallery, Leeds.

‘Portraits of V. I. Lenin and others in the Style of Jackson Pollock’, Lisson Gallery, London.

‘Portraits of V. I. Lenin in the Style of Jackson Pollock’,Van Abbemuseum, Eindhoven.

‘Gustave Courbet’s ‘Burial at Ornans’ Expressing...’, Galerie Éric Fabre, Paris.

‘Portraits of V.I. Lenin in the Style of Jackson Pollock’, Centre d'Art Contemporain, Geneva.

‘Index: Studio at 3 Wesley Place Painted by Mouth’, De Vleeshal, Middelburg.

‘Art & Language’, retrospective, Musée d'Art Moderne, Toulon.

‘Index: Studio at 3 Wesley Place I, II, III, IV’, Gewad, Ghent.

‘Index: Studio at 3 Wesley Place (Illuminated by an Explosion Nearby), V, VI’, Lisson Gallery, London.

‘Index: Studio at 3 Wesley Place’, Ikon Gallery, Birmingham.

‘Index: Studio at 3 Wesley Place (Illuminated by an explosion Nearby), VII, VIII’, Galeria Grita Insam, Vienna.

Los Angeles Institute of Contemporary Art, Los Angeles.

‘Studies for the Studio at 3 Wesley Place’, Tate Gallery, London.

‘Confessions: Incidents in a Museum’, Lisson Gallery, London.

‘Index: An Incident in a Museum’, Galerie de Paris, Paris.

‘Index: Incidents in a Museum’, Lisson Gallery, London.

‘Art & Language: The Paintings’, Palais des Beaux-Arts, Brussels.

Marian Goodman Gallery, New York.

‘Hostages’, Lisson Gallery, London.

‘Hostages: Incidents and Peoples’ Flags’, Galerie Max Hetzler, Cologne.

‘Art & Language: Early Works 1966-1974’, Galerie Sylvana Lorenz, Paris.

‘Hostages’, Galleria Schema, Florence.

‘Hostages XXIV-XXXV’, Marian Goodman Gallery, New York.

‘Hostage Paintings: The Dark Series’, Lisson Gallery, London.

‘Hostage Paintings 1987- 1991’, ICA, London; John Hansard Gallery, The University, Southampton; Arnolfini Gallery, Bristol.

‘Hostages’, Galerie de Paris, Paris.

The British School, Rome.

Galerie Isy Brachot, Brussels.

Grita Insam Gallery, Vienna.

Galerie Nationale du Jeu de Paume, Paris.

‘Early Work 1965-1976; Recent Work 1991-1994’, Lisson Gallery, London.

‘Art & Language and Luhmann’, Kunstraum,Vienna.

Galerià Juana de Aizpuru, Madrid.

‘Art & Language’, Kunsthalle St Gallen.

Galerià Juana de Aizpuru, Seville.

‘Sighs trapped by Liars’, Galerie de Paris.

‘Art & Language: Conceptual Art from 1966 to 1996’, Mulier Mulier Gallery, Knokke.

‘Sighs Trapped by Liars’, Mulier Mulier Gallery, Knokke.

Galerie Poo Poo, London.

‘Art & Language in Practice’, Fundació Antoni Tàpies, Barcelona, April-June.

‘Cinco Ensayos’, Galería Juana de Aizpuru, Madrid, May.

‘The Artist out of Work: Art & Language 1972-1981’, P.S.1./Contemporary Art Center, New York, 12 September - 18 December.

‘Three Essays’, Galerie Grita Insam, Vienna, October-November.

‘Art & Language & Luhmann No. 2’ ZKM, Karlsruhe, April-May.

GROUP EXHIBITIONS

‘Language II’, Dwan Gallery, New York.

‘March’, catalogue-show, Seth Sieglaub, New York.

Paula Cooper Gallery, New York.

Simon Fraser University, British Columbia.

‘557, 087’, Seattle, Washington.

‘955, 000’, Vancouver, British Columbia.

‘Art in the Mind’, Allen Memorial Art Museum, Oberlin, Ohio.

‘Conceptual Art and Conceptual Aspects’, New York, Cultural Centre, New York.

‘Information’ Museum of Modern Art, New York.

‘Language IV’, Dwan Gallery, New York.

‘Idea Structures’, Camden Arts Centre, London.

‘Summer Show’, Studio International, London.

‘Concept-Théorie’, Galerie Daniel Templon, Paris.

‘The British Avant-Garde’, New York Cultural Center, New York.

‘Septième Biennale des Jeunes’, Parc Floral de Paris, Paris.

‘Al Arte come Idea en Ingleterra’, Buenos Aires (and tour of South America).

‘The Boardwalk Show’, Atlantic City, New Jersey.

‘Taal-Kunst; een faset van Konseptuele Kunst’, Utrecht.

‘Arte Conceptuale’, Galleria Daniel Templon, Milan.

‘Art Systems’, Museum of Art, Buenos Aires.

‘Art as Idea’, Victoria and Albert Museum Circulation Department, London (permanent loan collection).

‘Conceptual Art’, Gallery of the Students' Cultural Centre, Belgrade.

‘Encuestros’, Pamplona.

‘Konzept Kunst’, Kunstmuseum, Basle.

‘De Europa’, John Weber Gallery, New York.

‘Dokumenta 5’, Museum Friedericianum, Kassel.

‘The New Art’, Hayward Gallery, London.

‘Einige Frume Beispiele Konzeptueller Kunst Analytischen Charakters’, Galerie Paul Maenz, Cologne.

‘Contemporanea’, Rome.

‘L’Art au présent’, Palais Galliera, Paris.

‘Projekt ’74’, Cologne.

‘Kunst uber Kunst’, Kunstverein, Cologne.

‘New York Art & Language’, Galleria Schema, Florence.

‘Summer Group Show’, John Weber Gallery, New York.

‘Report from SoHo’, Gray Gallery, New York University, New York.

‘Drawing Now’, Museum of Modern Art, New York.

‘Arte Inglese oggi 1960-76’, Palazzo Reale, Milan.

‘Sculptor's Drawings’, Fine Arts Building, New York.

‘Biennale di Venezia’, Venice.

‘New Work/New York’, Fine Arts Gallery, California State University, Los Angeles.

‘Lisson Gallery’, Fine Arts Building, New York.

‘Radical Attitudes to the Gallery’, Art Net, London.

‘Ils donnent leur sang: donnez votre travail’, mural at Eldon Square Shopping Centre, contribution to an exhibition of art in public spaces throughout Newcastle-upon-Tyne.

‘Poster-Work’, Belgrade Museum, Belgrade.

Group Show, Lisson Gallery, London.

‘Un Certain Art anglais’, Musée d'art moderne de la Ville de Paris.

‘Languages’, Third Eye Centre, Glasgow.

‘Kunst in Europa na ’68’’, Museum van Hedendaagse Kunst, Ghent.

Summer Group Show Lisson Gallery, London.

Museum van Hedendaagse Kunst, Ghent.

‘Aspects of British Art Today’, Metropolitan Museum, Tokyo.

‘Mannerism: a Theory of Culture’, The Vancouver Art Gallery.

‘Dokumenta 7’, Kassel.

‘New Art’, Tate Gallery, London.

‘Masterworks of Conceptual Art’, Galerie Paul Maenz, Cologne.

Sydney Biennale, Sydney.

‘1965-1972 When Attitudes Became Form’, Kettle’s Yard, Cambridge.

‘L’Architecte est absent: works from the collection of Annick and Anton Herbert’, Van Abbemuseum, Eindhoven.

Atheneum, Hartford, Connecticut.

‘The British Art Show’, Ikon Gallery, Birmingham.

‘Prospekt 86’, Frankfurter Kunstverein, Frankfurt.

‘Perverted by Language’, Hillwood Art Gallery, Long Island University.

‘British Art of the Twentieth Century: The Modern Movement’, Royal Academy, London.

‘Current Affairs: British Painting and Sculpture in the ’80s’, Museum of Modern Art, Oxford

‘British Art of the 1980s’, Liljevalks, Konsthall, Stockholm.

‘Minimal Art, Conceptul Art, Narrative Art, Art & Language’, Galerie Christian Cheneau, Paris.

‘The Analytical Theatre: New Art from Britain’, organized by the Independent Curators Inc, New York: Akron Art Museum, Ohio; Alberta College of Art, Calgary; University Art Museum California State University, Long Beach; Institute of Contemporary Art, University of Pennsylvania, Philadelphia.

‘British Art: The Literate Link’, Asher/Faure, Los Angeles.

‘Art Conceptuel 1’, C.A.P.C.,Musée d’art contemporain, Bordeaux.

‘Starlit Waters’, Tate Gallery, Liverpool.

‘Words’, Tony Shafrazi Gallery, New York.

‘Jet Lag’, Turon Travel Inc., New York.

‘Sans titre 1989’, Musée national d’art moderne, Centre Georges Pompidou, Paris.

‘The Situationist International, 1957-1972’, Musée national d’art moderne, Centre Georges Pompidou, Paris; Institute of Contemporary Art, London; Institute of Contemporary Art, Boston 1989-90.
‘L’Art conceptual, une perspective’, Musée d’art moderne de la Ville de Paris; Fundacion Caja de Pensiones, Madrid; Deichtorhallen, Hamburg; Musée d'art contemporain, Montreal.

‘Glasgow’s Great British Art Exhibition’, McLellan Galleries, Glasgow.

‘Approaches to Realism’, Bluecoat Gallery, Liverpool, Oldham Art Gallery, Oldham; Darlington Arts Centre, Darlington.

‘65-75 Aspetti e Pratiche dell’ Arte Europea’, Castello di Rivara, Torino.

‘Art Conceptuel, Formes Conceptuelles’, Galerie 1900-2000, Paris.

‘Rhetorical Image’, The New Museum of Contemporary Art, New York.

‘Inheritance and Transformation, Selected Works and New Projects’, The Irish Museum of Modern Art, Dublin.

‘Team Spirit’, organized by Independent Curators Incorporated, New York: Neuberger Museum, New York; Cleveland Center for Contemporary Art, Cleveland;

The Art Museum at Florida International University, Miami; Spirit Square Center for the Arts, Charlotte; Davenport Art Museum, Davenport; Laumeier Sculpture Park, St. Louis.

‘Knowledge: Aspects of Conceptual Art’, University Art Museum, Santa Barbara.

‘Travaux d'Artistes’, Galerie Roger Pailhas, Paris and Marseille.

‘The Cutting Edge’, Barbican Art Gallery, London.

‘Repeticion/Transformacion’, Museo Nacional Centro de Arte Reina Sofia, Madrid.

‘La Freccia Evolutiva dell’Irreversibilitá’, Studio Oggetto, Milan.

‘Le Sens figuré’, Acquisitions of FRAC d’Ile-de-France 1991-1992 Centre international d’art contemporain de Montreal, Quebec; Centre Culturel, Pierrefonds; Galerie Les 3 C, LaSalle; Maison de la Culture Cote-des-Neiges, Montreal; Studio A, Montreal.

‘1968’, L’Usine, Dijon.

‘Now They Are’, Grita Insam Gallery, Vienna.

‘Die Arena Des Privaten’, Kunstverein, Munich.

‘Looking at Seeing and Reading’, curated by Ian Burn, Ivan Dougherty Gallery, University of New South Wales, Sydney.

‘The Ideal Place III’, Haags Centrum voor Aktuele Kunst, The Hague.

‘Answer Machine Project. 50 x 50 x 50’, Organized by David Goldenberg and John Roberts, London.

‘British Art of the 1980s & 1990s – works from the WeltKunst Collection’, The Irish Museum of Modern Art, Dublin.

‘From Here’, Waddington Galleries and Karsten Schubert Gallery, London.

‘Les Fragments du désir’, Futur Musée des Instruments, Brussels.

‘Toponimias (8) Ohos Ideas Del Espacio’, Fundación ‘La Caixa’, Madrid.

‘Reconsidering the Object of Art 1965-1975’, Museum of Contemporary Art, Los Angeles.

‘The Impossible Document: Photography and Conceptual Art in Britain 1966-1976’, Camerawork, London.

‘Magic der Zahl in der Kunst des 20 Jahrhunderts’, Staatsgalerie, Stuttgart.

‘Documenta X’, Kassel.

‘Musterwohen’, Hofgarten am gendarmenmarkt, Berlin.

‘Livres d’artistes. L’invention d'un genre 1960-1980’, Galerie Mansart, Paris.

‘Odradek’ Bard College, New York.

‘L’Envers du décor, Dimensions décoratives dans l'art du XXe Siècle’, Musée d'art moderne, Villeneuve d'Ascq.

‘Museum as Muse: Artists Reflect’, Museum of Modern Art, New York.

‘Global Conceptualism: Points of Origin 1950s-1980s’, Queens Museum of Art, New York, April-August.

‘Arrested Ambition’, Apex Art New York, curated by Gregory Williams, May-June.
‘L’Envers du décor, Dimensions décoratives dans l'art du XXe Siècle’, Nouveau Musée-Institut d'art comtemporain, Villeurbanne, May-Septembre.

‘Get Together, Kunst Als Teamwork’, Kunsthalle, Wien, October-November.

‘The 1999 East Wing Collection’, Courtauld Institute of Art, London, November.

‘Live in Your Head: Concept and Experiment in Britain 1965-75’ Whitechapel Gallery, London, February-April.

‘The British Art Show 5’, touring exhibition organised by The Hayward Gallery, Edinburgh April-June.

‘Many Coloured Objects placed side by side to form a row of Many Coloured Objects’, works from the collection of Annick and Anton Herbert, Casino Luxembourg, October.

‘Conception, Conceptual Documents 1968-72’ Norwich Gallery (January) and travelling to the Henry Moore Institute and Chisendale Gallery, London.

‘Live in Your Head’, Museu do Chiado, Lisbon, February.

Biennale Leuven, April-June.

‘Too dark to read, motifs rétrospectifs 2002-1965’, Musée d’art moderne Lille Métropole, Villeneuve d’Ascq, Janvier-Mai.

ART & LANGUAGUE LIST OF EXHIBITIONS