CHRONOLOGICAL LIST OF WORKS ILLUSTRATED

1965

[132] Black Painting

[207] Four Suprematist Squares

[116] Untitled Painting

[123] Untitled Painting

[218] Untitled Painting

[246] Untitled Painting

1966

[144] Air Show (fragment)

[238] Art in America

[121] Entropy

[248] Oxfordshire Show

[125] Painting-Sculpture, 1966-67

[258] Soft-Tape, (installation Sydney Biennale, 1990)

[253] Three Vocabularies for the Air Show

1967

[108] Abstract Art (No. 6)

[236] Drawing for a Secret Painting

[235] Eleven Studies for a Secret Painting

[186] Four Studies for Acrostic Paintings

[150] Guaranteed Painting, 1967-68

[209] Hot-Cold

[219] Looking through a Piece of Glass (Ian Burn)

[114] Map of Itself

[113] Map to Not indicate…

[149] Map of the Sahara Desert After Lewis Carroll

[233] Secret Painting, 1967-68

[130] Secret Painting, 1967-68

[138] Secret Painting, 1967-68

[221] 22 Sentences, the French Army

[139] Sunnybank.

1968

[145] Six-Negatives, 1968-69, (page of)

[79] 100% Abstract

[106] 100% Abstract

[158] 100% Abstract

[159] 100% Abstract (installation in Studio, 1968)

1972

[161] Alternate Map for Documenta

[176] Index 01

[251] Index 02

[202] Li Proceedings, 1972-73

1973

[84] Ask yourself ‘Which is the Index?’

[250] Blurting in Art & Language, (page from booklet)

[180] Dialectical Materialism (All Friends Together)

[162] Index 05, (instructions for)

[80] Indexical Fragment

1974

[241] Art-Language, volume 2, number 4, p. 44

[252] Bxal Form

[126] Dialectical Materialism (012)

[142] Indexical Fragment

1975

[191] Bxal Form

[90] Dialectical Materialism (Dark Green)

[137] Dialectical Materialism (El Lissitzky 014)

[232] Dialectical Materialism: view of exhibition, MOMA, Oxford, 1975

[160] Indexical Fragment

1976

[244] Dialectical Materialism, (installation MTL Gallery, 1976)

[245] Dialectical Materialism, (installation Lisson Gallery, 1994)

[179] Venice Banner, (Venice Biennale, 1976)

1977

[261] Corrected Slogans, (L.P. sleeve)

[257] Ils donnent leur sang, donnez votre travail

[256] Ten Postcards

[166] Ten Posters: illustrations for Art-Language

[167] Ten Posters: illustrations for Art-Language

[168] Ten Posters: illustrations for Art-Language

[169] Ten Posters: illustrations for Art-Language

[170] Ten Posters: illustrations for Art-Language

[171] Ten Posters: illustrations for Art-Language

[172] Ten Posters: illustrations for Art-Language

[173] Ten Posters: illustrations for Art-Language

[174] Ten Posters: illustrations for Art-Language

[175] Ten Posters: illustrations for Art-Language

1978

[129] Flags for Organisations

[234] Flags for Organisations (list of axioms)

[225] Key of Dreams, (painting reproduced on cover of Art-Language, Volume 4, number 3

1979

[165] Portrait of V. I. Lenin in the Style of Jackson Pollock IV

[226] Portrait of V. I. Lenin in the Style of Jackson Pollock (map for)

1980

[122] Portrait of V. I. Lenin in the Style of Jackson Pollock V

[163] Portrait of V. I. Lenin in the winter of 1920 in the Style of Jackson Pollock

[164] Portrait of V. I. Lenin in the winter of 1920 in the Style of Jackson Pollock, (map for)

1981

[216] Attacked by an Unknown Man in a City Park, a Dying Woman, drawn and Painted by Mouth

[107] Gustave Courbet’s Burial at Ornans Expressing… (text to face)

[133] Index: The Studio at 3 Wesley Place, (drawing i), 1981-82

[152] Kangaroo?, (painting reproduced on L.P. sleeve)

[260] Study for a poster for ‘Kangaroo?’

1982

[81] Art-Language, volume 5, number 1, cover

[96] Index: The Studio at 3 Wesley Place Painted by Mouth (I)

[97] Index: The Studio at 3 Wesley Place Painted by Mouth (I), (detail)

[185] Index: The Studio at 3 Wesley Place Painted by Mouth (I), (installation, Middelburg, 1982)

[88] Index: The Studio at 3 Wesley Place Painted by Mouth (II)

[239] Index: The Studio at 3 Wesley Place Painted by Mouth (I), (Drawing ii), detail

[223] Index: The Studio at 3 Wesley Place in the Dark (III) and Illuminated by an Explosion Nearby (V, VI, VII, VIII), (Drawing iii)

[89] Index: the Studio at 3 Wesley Place, Showing the position of Embarrassments in (III), Drawing (V)

1984

[119] Paul Signac Dreams of the Future

[222] Study for Impressionism Returning Sometime in the Future

1985

[194] Study for Index: Incident in a Museum 2

[156] Study for Index: Incident in a Museum 5

1986

[229] Index: Incident in a Museum XII

[148] Index: Incident in a Museum XV

[200] Study for Index: Incident in a Museum 19

1987

[195] Index: Incident in a Museum XXI

[237] Index: incident in a Museum XXIII

[255] Index: Incident in a Museum XXV

[177] Index: Incident in a Museum XXVII

[193] Index: Incident in a museum (Failed Town Planning)

[101] Study for a Museum in the Future (I), 1987-88

[201] Study for a Museum in the Future (II), 1987-88

[78] Study for Unit Cure, Unit Ground

1988

[109] Hostages a, b, g, d

[157] Hostage III

[95] Hostage V

[77] Unit Cure, Unit Ground IV

1989

[83] Hostage XIX; Hostage XXII

[178] Hostage XXIV

[192] Hostage: an Incident and a People’s Flag VIII

[198] Hostage: Views of Immensity

[199] Hostage: Views of Immensity, News of Propensity

1990

[210] Hostage LIII

[227] Hostage LVIII, Hostage LXXIV

[100] Hostage LXIX

[104] Hostage LXXV

[76] Hostage LXXVI

[187] Study for Hostage 62

[204] Study for Hostage 75

[75] Study for Hostage 76

[205] Surf 75

[155] Surf 76

1992

[141] Hello, How Are You?

[124] Index XIX (Now They Are)

[127] Index XVIII (Now They Are)

[128] Index XVIII (Now They Are), (unglazed canvas)

[228] Index (Now They Are), (installation at Galerie Nationale du Jeu de Paume, 1993)

[72] Index V (Now They Are)

[73] Index V (Now They Are), (unglazed canvas)

[247] Index X (Now They Are)

[189] Index XIV (Now They Are)

[135] Index 4 (Now They Are)

[118] Index 5 (Now They Are)

[153] Study after Gustave Courbet’s L’Origine du monde

1993

[74] Incident: Now They Are (Elegant)

[124] Incident: Now They Are (Look Out)

[230] Incident: Now They Are (Look Out)

[074] Incident: Now They Are (Next)

[154] Study for an Incident: Now They Are (Elegant I)

1994

[254] Background, Incident, Foreground XI

[214] Background, Incident, Foreground XVII, 1994-5

[111] Background, Incident, Foreground XXXVIII, 1994-95

[213] Background, Incident, Foreground XXXVIII (detail) 1994-95

[92] Study for Incident, Foreground (II)

1995

[120] Art & Language and Luhmann: conference installation, Vienna

[224] Art & Language and Luhmann: conference installation, Vienna

[146] Index 10, Comprising Background, Incident, Foreground, XVI-XLVI

[87] Portrait of an Artist as an Enthusiast

[93] Portrait of an Artist as a Flash in the Pan

[182] Portrait of an Artist as an Enthusiast, Optimist, Wounded Man
[196] Sighs Trapped by Liars (in studio)

1996

[98] Sighs trapped by Liars 1-192, 1996-97

[211] Sighs trapped by Liars 1-192, 1996-97 (Installation at ‘L'Envers du décor’, Musée d’art Moderne Lille Métropole, Villeneuve d’Ascq, 1998-99

[206] Sighs trapped by Liars (in studio)

1997

[112] Sighs Trapped by Liars 234-287, 313-342, 343-371

[105] Sighs Trapped by Liars 373-391, 413-508

[86] Sighs Trapped by Liars 510-602

[240] Sighs trapped by Liars 521-531

[151] Sighs Trapped by Liars 604-632

[147] Sighs Trapped by Liars and Lovely Slang, 1997-98

[181] Sighs trapped by Liars (installation at Fundació Antoni Tàpies, Barcelona, 1999)

[215] Sighs Trapped by Liars (example of Malaprop text)

[217] Sighs Trapped by Liars (example of Malaprop text)

[134] There Were Sighs Trapped by Liars XII, 1997-2000

[85] There Were Sighs Trapped by Liars XV, 1997-2000

[220] There Were Sighs Trapped by Liars XVI, 1997-2000

1998

[136] BANK: White3, installation

[242] BANK: Art & Language installation in White3

[243] BANK: Art & Language installation in White3

[197] Index: A Model for Lucy Grays

[82] Index: Wrongs healed in Official Hope, 1998-99

[99] Index: Wrongs healed in Official Hope, 1998-99

[102] Index: Wrongs healed in Official Hope, 1998-99

[140] Index: Wrongs healed in Official Hope, 1998-99

[249] Index: Wrongs healed in Official Hope, 1998-99

[115] Sighs trapped by Liars (Allergy to the S.R.)

1999

[188] Art & Language in Practice: installation at Fundació Antoni Tàpies, Barcelona

[231] Art & Language in Practice: installation at Fundació Antoni Tàpies, Barcelona

[259] Art & Language in Practice: archive room at Fundació Antoni Tàpies, Barcelona

[110] Escape (3)

[91] Lovely Slang V

[117] Lovely Slang XIII

[212] Material Slang

[184] (A) Painting painted by Actors, (The Jackson Pollock Bar)

[203] The Artist out of Work, installation by Art & Language at P.S.1., New York, detail)

[183] Theory Installation (The Jackson Pollock Bar, Fundació Antoni Tàpies, Barcelona)

2000

[103] Down to The Stone

[94] Index (Landscape with St.George), 2000-01, (detail of installation at Biennale, Leuven, 2001)

[208] Index (Landscape with St.George), 2000-01, (detail of installation at Biennale, Leuven, 2001)

[143] Index (Landscape with St. George), 2000-01 (framed unit)

[190] Index (Landscape with St. George), 2000-01 (framed unit)

[131] Twenty Works from 1965-1999 Regarded by an Index (Landscape with St. George) 2000-2001, Regarded by Twenty Works from 1965-1999, installation, Leuven, 2001